Gear acquisition syndrome got the best of me during this quarantine, and I found myself as the new owner of a Yashica MatG on first week of May. It was pretty easy to convince myself to acquire this beauty frankly, telling myself that I bought the camera as birthday gift, even though my birthday was more than a month away.
This is my third purchase since last July, when I bought a Ricoh GX as a starter for learning film photography. I know about twin lens reflex camera since years ago, most notably Rolleiflexes and Rolleicords, though I have no idea there are other manufacturers that also built TLR camera. I was introduced to various brands of TLR when browsing Instagram accounts that sell analog cameras.
That was what I felt. I also prefer the G overfinding the silver trim somehow off-putting. I just landed a job after graduated from university, thus decreasing my time for toying around with my existing cameras. Fast forward to AprilI was working from home like many others during this challenging time.
I found myself able to finish my assignments for the day around noon, so I had free time for lollygagging until work hours ended. One day, my sister came to my room showing an Instagram post about a Yashica MatG for sale.
It was in near mint condition, with working light meter but came without any accessories. It was also priced rather high.Yashica Mat-124G - A Contemporary TLR
I was interested and contemplating whether to acquire it or not. Alas, 3 days later I found out that it was sold. Nevertheless, this reignites my interest in acquiring one to try out. A quick search resulted in 4 listings, 2 of which are disqualified immediately due to bad optics.Mur bukur full hori pore download
One of the two left priced way too low to be true, which left only one. The account last logged in was 8 days ago. Undeterred, I contacted and thankfully got quick response.First, this is just some meanderings,…. This is just a cursory look-see about both the Yashica Mat and G. But,…the is completely metal and the G has a small amount of plastic.
Things feel a bit more robust on the cheaper However, the stopped being manufactured in The G went all the way to Just have to look hard.Thieves guild skyrim trophies
In fact, models from to But, I would stick with the newer crank versions. Another was actually called Yashica Mat B. It had no meter and was made in Brazil. I believe production stopped in Both had a ground glass screen, a 3x diopter loupe and a sports finder. Sort of.Asus mobiles under 10000 with 4gb ram
It is incorporated in the focusing hood. Not like Mamiya or Rolleiflex changable viewfinders. The shutter is in the lens and of the Copal SV variety. It has shutter speeds of 1 sec. These cameras are basically a Japanese copy of a Rolleiflex.
My only complaint about the G version is prices are going up.Written by Malcolm Myers and published on March 24, July 31, I looked down at the Yashica Mat in my hand and it looked in good condition. The shutter speeds and aperture worked and it had a nice leather case, albeit a bit worn.
I already had a hand-held light meter so I figured it was worth the gamble and I handed over my money.
That was in the summer of and in the intervening twenty years my love affair with this fantastic camera has never waned. A twin lens reflex camera has, wait for it…two lenses! One sits vertically one on top of the other.
You compose your picture by looking through the top viewing lens which reflects hence reflex an image onto a ground glass screen where you focus, and it is the bottom taking lens that incorporates the shutter and actually exposes the film.
This does lead to some parallax error but only at very close distances to the subject. Learn to leave a bit of spare room at the top of your frame when composing and you should be fine.
Both viewing and taking lenses have a bayonet surround that allow you to attach bayonet filters, which can easily be found on eBay more on that later. Now, a TLR is certainly not a camera for all occasions — and it is rarely the camera I go to first — but it is most definitely the camera I wish I could use more.Sentiti libero di contattarmi in inglese
Sports photographer? Birds in flight? Fast action? But if you are minded towards a more contemplative style of photography, the sort of photography that in an earlier age might have led you to a couple of sucks on your pipe before you clicked the shutter, then this camera might well be up your street. No, the reason for using the is the size of the negative. A 35mm negative is 36x24mm. This equates to 57x57mm, but that still means that its negatives are nearly four times the area of a 35mm negative.
You see, when it comes to negatives, bigger is definitely better. You get more detail and more tonality. You get shallower depth of field because you are generally using longer lenses to get the same field of view from a 35 mm camera.
Most significantly, you can make much bigger prints before you start to see the grain. I even got a few posters printed and the quality of those was amazing too. Any photographer getting into film photography owes it to themselves to have a go at medium format at some point, just to see the results for themselves.
Most medium format cameras will deliver in the area of quality.Well-designed and well-machined pro-quality TLR, with a classic look and solid feel. It is the forerunner to the well-known and wildly popular G, the last of a dynasty of quality Yashica TLRs and the culmination of all that came before it. Before them — among others — came the 12 film only and 24 film only but both the and G take either or film. You reposition the film pressure plate to tell the auto frame counter which number to count to.
Where the G is a slick, all-black monster of professional goodness, the is a more refined-looking instrument, with chrome brightwork and pebbled covering. Until I held them both together I would have said the differences are largely cosmetic, but using them side by side reveals that there were a host of small refinements made to the G model besides the all-black finish and the reported gold-plated electrical contacts.
It is also silent where the has a zippy ratcheting noise when you wind it. Still, they are essentially the same camera where it counts — the lenses, bodies, and shutters are identical.
However, I have heard that the G, particularly the later ones, may be less robust internally, with more plastic and brass parts than the Both are apparently occasionally prone to film spacing issues. One other thing I did notice was that the light seals on the are a mix of black string and thick foam which does eventually needs replacingwhile the later G has only foam, no string.
Still, the lovely Yashinon lenses are the same in both cameras, with a beautiful purple coating and a matched viewing and taking set to boot. And for the record, next to the two s the Yashica D is clearly a budget model, even if the lenses are the same. A sharp Yashinon is a sharp Yashinon. Nice features of the self-cocking shutter and automatic frame counting. Wind forward clockwise to wind the film, backwards to cock the shutter.
The wheels between the lenses are for setting the aperture and shutter speed, both of which read in a little window on top of the viewing lens, so you can see the settings while looking down on the the camera.
Yashica Mat 124G: A Twin-Lens Classic
Very cool design. The CdS meter turns on when you open the hood, which thankfully opens and closes as one piece. Set the ASA with the wheel on the top of the camera; match the needle with the red circle by changing the aperture and shutter speed. One common complaint on the Yashica Mats is the placement of the M-X switch, which is a lever that is adjacent to the aperture thumbwheel. Some people go so far as to tape over it. Just not as smooth as the D and also the G I played with.
Probably just a little thickened grease. Sometimes the blades stick from sitting too long years?This camera manual library is for reference and historical purposes, all rights reserved.
Butkus, NJ. This page may not be sold or distributed without the expressed permission of the producer I have no connection with any camera company. Butkus, 29 Lake Ave. This will help me to continue to host this site, buy new manuals, and pay their shipping costs.
It'll make you feel better, won't it? If you use Pay Pal, use the link below. Use the above address for a check, M. Exposure meter: Built-in match-needle type CdS meter based on pre-selection of shutter speed; film speed range from ASA 25 to ; meter switch coupled to viewfinder hood; operates on 1,3 V mercury battery.
Film advance: Crank-handle film advance with automatic film stop; simultaneously charges the shutter for the next exposure; automatic resetting exposure counter registers the number of exposed frames. Focusing: Extra-large knob extends or retracts the front panel to secure focus on the subject; distance scale calibrated in both feet and meters 3. Other features: Aperture scale from F3,5 to F32; adjustable film pressure plate usable with both 12 and 24 exposure load film; exposure load reminder window, threaded cable release socket; hinged back cover; bayonet-type filter mount accepting 30 mm filters.
Open the Battery Compartment Cover holding with finger and by turning it counter-clockwise. This camera uses a 1. Install a 1. The mercury battery is no longer available. Use a Wein Air battery. The exposure meter pointer in the Exposure Indicator Window is coupled to the shutter mechanism and will shift in either direction when the shutter speed is adjusted. The exposure meter begins to function when the focusing hood is set upright by lifting it W gently with your fingertip. When the camera is to be left unused, fold the focusing hood.
This will switch off the meter and prevent draining of battery power. Turn the Aperture Control Dial and coincide the yellow follower needle coupled to the aperture mechanism with the red meter pointer coupled to the shutter mechanismboth visible in the Exposure Indicator Window.
The proper combination of the shutter speed and aperture is shown in the Shutter Speed and Aperture Indicator Windows. If the two needles fail to match even when both the shutter speed an aperture settings are changed, it means that correct exposure cannot be obtained under the prevailing light condition. The camera features a magnifying lens for critical focusing which springs up into position when the sports finder frame section of the Focusing Hood is pushed in slightly.
To focus, turn the Focusing Knob while observing the image of your subject produced on the Focusing Screen. After focusing, compose your picture.I was waiting for a photo outing to start when the leader whipped out the most gorgeous vintage camera I had ever seen.
He asked who would like to give it a try, and I jumped at the chance while everyone hesitated while looking at an unfamiliar-looking camera with two lenses. So began my love affair with the Yashica Matwhich I got to borrow for a week or so. It had a year run and was discontinued in I have to say that I love cameras which are older than me!
Both cameras have built-in exposure meters, which are known for failing, though they provide accurate exposures with the right battery if still working. The main and probably only difference between the two models is that the meter contacts of the G model are gold-plated and the trim color is black G vs silver non-G. Most photographers prefer the G model, but if you can keep a secret — it really isn't any better AND is often sold at very high prices compared with the much older but equally capable non-G and Yashica Mat models.
So think carefully which one you want to buy. It shoots square photos and weighs about 1 kg. That might sound heavy after the plastic cameras you've been using, but really, the solid weight just feels so right in your hands! There is also a bulb mode so you can shoot in low light. If you have not used a TLR before, you might find focusing to be very hard at first.
However, the huge focusing screen as compared with the usual teeny ones is such a joy to look at! Also, to make detailed adjustments, there is a magnifying loupe that you can look through.
If you love to take portraits, the TLR works great! Because you're looking down, you don't need to face the subject for stealth shooting, or not so, since it's a big camerathe focusing screen won't black out like an SLR when you squeeze the trigger, and the shutter is so soft you can barely hear it! A disadvantage of the camera would be the dual lenses — because there are two, you look through one and take through the other, there is parallax error i.
The perks of this camera would be that there are close-up and wide-angle attachments available should you want to do macro or include more stuff in your photo.
I've still been unable to find a mint one and have settled for another TLR instead, which I love and satisfies my needs. I may do a review on that soon, so stay tuned! This is a review submitted by Community Member cherieamour.
I'm trying to revive my grandfathers Yashica MAT I'm looking to buy the film for it. Can anyone here help me with a source to acquire the film? Katrin, aka vaaloren, creates dreamy photographs that transport you to a foreign world.I got my first medium format camera, a Mamiya sin It was a leap in quality and big change of workflow compared to 35mm; my process became slower, more contemplative, framing and composition became more thorough and the resulting photos became better.
However, not everything was flowers and candies. I had my own struggles that peaked during one portrait session, where I realized that I lose concentration and workflow of shooting because I fiddle too much with changing lenses — I was spending too much time thinking which one will suit the frame better.
I also struggled too much the landscape orientation of camera. During the time of this contemplation, I got an unexpected message from a fellow photographer asking if I would be interested in selling Mamiya. Oh yes, I did! That was the trigger to depart fromand I started to dig deeper into the idea of a TLR.
So I gave it a go. Some things went as expected. To be limited in equipment — in most cases — is a very good thing. I had better concentration on the scene due to fact that I had no need, or even possibility to change the lenses.
There is no necessity to pick vertical or horizontal composition — all you have is square. Though I did have to train the eye to see composition in square. That, again, means one important thing — I can look at the scene, analyze it, change the angle or position of the camera, integrate model or subject into the scene, think about light, shoot, analyze results, improve, move forward.
This left me with a real feeling of liberation! Of course, there are drawbacks and limitations that I can hardly overcome. Of course, it means back to old habits! The good thing is that those accessories are compatible with almost all Yashica TLR models.
Yashica Mat 124
Some of them are even quite affordable. The ones that I was interested in and got are:. I will get back to the later three accessories in more detail after some talk about the standard camera and my story of getting it work for me.
But I mention them now as it was the discovery of those add-ons that became the main motivator to write this article. Yashica MAT G, standard lens f3. All the controls are logical, easily accessible, and placed pretty much in the same places where one would look for them on almost any TLR. The shutter speed dial on right hand side, and aperture wheel on left.
There is a threaded and lockable shutter button on bottom right side.
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